Call of Duty (Page 3)

The USgamer team reflects on the games that kept them warm through a cold year.

2016 IN REVIEW: After years of increasingly futuristic-themed games, is it time for the Call of Duty series to return to its historical roots?

Raven Software's excellent remaster of Modern Warfare helps Infinity Ward's classic defy its age.

What can we learn from the success of Battlefield 1?

Drink Perk-a-Cola, chew some Gobblegum and outlast the zombie horde!

Determine which Specialist best fits your playstyle.

We examine last year's triple-A games to see where they stand after twelve months.

Mike takes on the Call of Duty: Black Ops III multiplayer beta for the first time.

Advanced Warfare's efforts to capture the essence of the series are a little too successful for its own good. Our full review.

Eurogamer's Chris Donlan is Oscar Mike.

Mike, Kat and Jaz have all been busy playing Titanfall Beta. Is running along walls and stomping around in kick-ass mechs as fun as it sounds?

Can Titanfall get its claws into a hardened shooter cynic like Pete? After ten matches, he has an answer.

Digital Foundry's Richard Leadbetter explores how Call of Duty and Battlefield changed the console war.

Sony's PlayStation 4 adventure aims to be simple and accessible, but it overshoots the mark to land at simplistic and uninteresting.

With Assassin's Creed and CoD sales slowing, Eurogamer's Martin Robinson looks to the next-gen successors waiting in the wings.

Eurogamer's Wesley Yin-Poole talks to the Ghosts devs, who are hoping for 1080p native in future Xbox One Call of Duties.

Call of Duty: Ghosts will let players shoot like a girl if they want to. And here's why that matters.

The psychologically harrowing subtext of the cutest Wii U game yet

Developers could do well to borrow ideas from Infinity Ward... if it's the right idea.

Is linear design an inextricable part of the Call of Duty experience?

Ghosts' executive producer Mark Rubin discusses the tension and conflict between the series' single- and multiplayer components. Not only how the two aspects of the best-selling series are premiered, but also the fundamental philosophical difference between them.

Cliff Bleszinski claims that triple-A can't function with used and rental games around. Does he have a point?